Post production final mix

Can you tell us how you made the story pop? – [No – it's magic] .

With so much invested, don’t trip at the finish line with:

  • Sound that’s flat when palpable tension is required
  • Too much “wall-to-wall” noise
  • Music and sound working at cross purposes
  • The story getting lost with all the moving parts
  • A final sound mix being rejected by the network

The mix must amplify the story. That’s what we do.

Let’s talk about your project
How to get good work done on time:

We can all agree that post-production supervisors want good work, done on time. Despite the barriers we all know exist, the real problem is that project delays are caused through the misunderstanding of other people’s parts in the process.

We can agree:

The industry trains people in single disciplines and not in multiple disciplines.

That’s why, to achieve good work done on time, we need people to gain experience in all the areas of post-production.

Here’s how you help:

Work with a post studio that practices multi-disciplinary post-production sound. Not only do you get projects done on time, but also projects with the synergy to win awards.

Let’s talk about your project

Final mixing includes getting the good stuff done right:

  • 1. Managing relative levels of dialogue, music and sound effects
  • 2.Equalization and compression to shape sound into its landscape
  • 3. Creating depth and space through reverb and delay effects for atmosphere
  • 4. Synchronizing all audio elements for each picture
Let’s talk about your project

We want to deliver a curated experience which guides their eyes, ears, emotions and thoughts through the story, so they get lost in the moment.

Sound Design Services

We aim to see the potential in your vision and blend the sensory elements together.
  • Clear dialog forms the structure
  • Subtle layers and variation of atmospheric sounds support the story
  • Music adds deeper levels of expression

We’re running the best gear,
as expected:

  • Calibrated Dolby Atmos 7.1.4 studio
  • Avid MTRX Studio Hardware
  • Rode and Rycote microphones
Tell Us About Your Project
WHAT THEY SAY ABOUT US

The mix is subtle but rich

”Damn.. you’ve done it again. Just like Meili, hard to even have any notes! I think it was a great call to keep the VO front and center within the music, given it’s kinda a tricky narrative with a lot of words and many will watch on their phones.
The mix is subtle but rich.”

Renan and Taylor – Directors at Expedition Studios
(projects for the Meili Vodka launch)

Save-A-Scene

Pivotal scenes get screwed up. No one likes a re-shoot. Sometimes it can be saved.  

Can YOUR scene be saved: ASK US
[Free Assessment: Submit your clip]

Brown Bird Sound Library

When you choose to work with us, we use our in-house-only sound library called Brown Bird.
It’s filled with custom sounds
  • New sound effects – extra drama
  • Exclusively used in our projects – preserves freshness
  • We’re always adding to it

Subjecting an audience to tired sound is as cringeworthy as using the same laugh track.

Ask A Question
WHAT THEY SAY ABOUT US

Academy award qualified

We have worked together over the last five years and really appreciate Mayer sound and the skilled worked they have done for our longer form films, a few of which have become academy award qualified!

Renan Ozturk – Commercial and Documentary Filmmaker

[See Sound Editing]
[See Sound Design]